THE GOOD OLD AND THE BLAME DAYS

THE GOOD OLD AND THE BLAME DAYS

As much as it grieves me to say it, while “the good old days” and “blame it on the media” are sim­plis­tic clich­es, in the space of two weeks, they have com­bined as a suc­cinct sum­ma­tion of the state of  the news business.

The leg­endary jour­nal­ist hotel, the Com­modore in Beirut, which just closed for­ev­er, was “the good old days” writ large.
Cour­tesy of the Byzan­tine con­nec­tions of its own­er Yussef Naz­zal, the Com­modore was a safe haven from the armed idiots who ruled the streets of Beirut in the 1970s and ‘80s. In the days before cell phones and portable satel­lite equip­ment, it also had what jour­nal­ists in war zones val­ued most: a reli­able telex line.  (That the bar was always open and what­ev­er you spent in it appeared on your bill as telex and laun­dry ser­vices was an added bonus.)

 

Com­modore din­ing room, 1982

TV sto­ries had to be in a taxi on the way to a satel­lite link in Amman by night­fall, which meant the boss­es in New York had to trust your news judgement.
None ever demand­ed, as the new CBS edi­tor Bari Weiss did in a recent memo to staff, that “… every sin­gle night has some­thing with viral poten­tial.” The memo also exhort­ed staff to “dri­ve” the news.
Ms Weiss could do with the les­son taught to me by the edi­tor who sent me to the first war I ever cov­ered, Ango­la 1975.
His “hero­gramme” to myself and two col­leagues for a front page sto­ry on a fire­fight in which we became tar­gets, end­ed with the line: “Kind­ly remem­ber uncan (telex­ese for ‘you can­not’)  file if dead.”
A suc­cinct reminder that the job is to tell, not be the story.
The pow­er of TV news is to take peo­ple places they’ve nev­er been, show them things they’ve nev­er seen and tell them what they need to know.
You can’t do that with a “star” wav­ing hands and arms about and yam­mer­ing to the camera.
It requires pic­tures, sound and a well-craft­ed nar­ra­tion, writ­ten by the reporter who was on the scene.
Accord­ing to one report, one night Ms. Weiss and her aides were rewrit­ing an Evening News script until just before airtime.
Here’s some TV 101 for them: TV and print writ­ing dif­fer in sen­tence struc­ture, and nar­ra­tion has to work with pictures.
Aver­age nar­ra­tion speed is 2.5 words per sec­ond, about 250 words in a one minute 45 sec­ond piece (a lux­u­ry these days). A sound bite or two and some nat­ur­al sound to add tex­ture, and you’re down to about 200 words.
It took a hell of a lot of patience on the part of tal­ent­ed pro­duc­ers and edi­tors to help me make the tran­si­tion from print to TV.
I seri­ous­ly doubt Ms Weiss or any of her acolytes with no TV expe­ri­ence can write that con­cise­ly and coher­ent­ly from the get-go.

             A LITTLE MORE CLARITY

CBS now wants its on-air peo­ple to inject more per­son­al­i­ty and infor­mal­i­ty into the newscast.
“Infor­mal­i­ty” seems to me to be the polar oppo­site of seri­ous, believ­able or grav­i­tas, cru­cial ele­ments that add up to credibility.
When I joined CBS (in, yes, “the good old days”),  I was told that CBS style is “the unique abil­i­ties of our correspondents”.
Cor­re­spon­dents and pro­duc­ers were also free to fight their cor­ner when it came to script alter­ations, sto­ry angle, con­tent and — believe it or not –exec­u­tive decisions.
Ms Weiss has blamed some sub­or­di­nates for not staunch­ing the crit­i­cism being heaped upon her and CBS.
Madam, crit­i­cism is what you learn from. Staunch­ing it is per­pe­trat­ing ignorance.
Speak­ing of which: the lede under the New York Times head­line “Trump Says Iran Is Stop­ping Its Killings of Pro­test­ers …”  read: “Pres­i­dent Trump said on Wednes­day that the Iran­ian gov­ern­ment appeared to have stopped killing protesters…”
The head­line was defin­i­tive, while the lede car­ried a caveat, which would make it a pri­ma facie case for “blame it on the media”.
The back­up quote from Trump added con­fu­sion: “We’ve been told that the killing in Iran is stop­ping — it’s stopped — it’s stopping.”
Giv­en that Trump’s mean­der­ing syn­tax could mean either, both at the same time or noth­ing, sure­ly the state­ment demand­ed a fol­low-up for clar­i­fi­ca­tion, instead of leav­ing it up to the read­er to decide whether the killing was slow­ing down, or had actu­al­ly stopped.
The  sto­ry went on to note that Trump said he had received the infor­ma­tion from “very impor­tant sources on the oth­er side” and would “find out” lat­er if it was accu­rate.
What sources? Iran­ian offi­cials? An actu­al intel­li­gence source? Or his own head?
In the days of pres­i­dents who for the most part spoke coher­ent­ly, the issue of clar­i­ty rarely cropped up, and if it did, would have been addressed.
What con­sti­tutes “the good old days” may for the most part, be a prod­uct of fond if fad­ing memories.
But “blame it on the media” was more often than not a minor­i­ty position.
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5 thoughts on “THE GOOD OLD AND THE BLAME DAYS

  1. This may be apoc­ryphal, but do you remem­ber the Newsweek cor­re­spon­dent in Johan­nes­burg — I won’t men­tion his name but, as I recall, he was about your vin­tage — who sub­mit­ted expens­es for dozens of bot­tles of Per­ri­er water at the Com­modore in Beirut because he said there was no tap water for wash­ing or flushing?

  2. Yay .. I’ve made into Pizzeysperch! .. if only the back of my head in a pho­to in Beirut .. the good old days indeed!

  3. Your obser­va­tions are spot on, par­tic­u­lar­ly in light of Dukopil’s night­ly injec­tion of him into the Eve­News and his end-of-show cel­e­bra­tions about how won­der­ful his broad­cast has been.

    1. I won­der if it’s him doing what he thinks is a win­ner, or doing what he’s told by peo­ple who are one their way to being cer­ti­fied wreck­ers. Not much of a lega­cy either way.

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